#written by all of us

[misscammiedawn]

Permit me some self-indulgence to share my Favorite Character Bingo.

For this bingo I favored my fandom tags (17/24 spaces selected from my 25 listed fandom tags) and tried to round out with movies that I adore.

I wanted to diversify my range of franchises to include TV, animation, books, comics and video games and also pick characters that resonated most with each of us, though Camden's influence is felt the strongest. I won't state where the attachments lay but I'm sure those who know us can infer.

Descriptions and reasons under Read More.

Full spoilers for any character featured. Content warning for suicide discussion under cut.

1: Miles Edgeworth - Ace Attorney - Literally the last square filled in and we looked at the remaining 9 fandom tags and thought "which of these 9 have a character that we feel strongly about", it was either him or Alucard Castlevania and both for the same reason, daddy issues. I love the idea of a virtuous child of anime Atticus Finch being raised by a deliciously evil prosecutor to become everything his father would have hated. I love the conflict between two siblings raised in the house of Perfection. I love his dramatic ass (except when he pulls that "chooses death" bullshit. That was unforgivable). Plus I just adore his slowburn romance with Phoenicholas, how supportive he is of their daughter, Trucy, and how the sequel trilogy is sparing enough of him that we always miss him when he's not around. He is our favorite Ace Attorney character by a mile. Plus he's a the straight man (well, he's got his hidden eccentricities, but for comedic purposes he's the straight man) in a world of lunacy. The first game leaned heavy on that joke and it always made me smile.

2: Catra - She-Ra (2018) - Our tag for She-Ra is "Catra Did Nothing Wrong" and she is the character in all of fiction I would go up to bat for every time if I saw a debate start up on a Discord I frequent. I'll be straight. She's our (Camden's, anyway) BPD projection character. I adore watching characters with crucial personal failings get swallowed up by dramatic irony. There's something so powerful in being an audience member and knowing what a character wants, what they need, what they should do-- while understanding it's not in their nature to do it. I wanted her to stay with Scorpia in the desert where she was respected and comfortable but knew that it just couldn't be. I loved all the moments where her failings caught up with her. When Scorpia walked away from her, when Double Trouble gave her emergency therapy, the way she struggled with her hair and entire season to force herself to be something she couldn't sustain. I love Catra more than I can measure. I could write essays on how I would do exactly as she did in Season 2 and ruin EVERYTHING for just the chance of a parent proving that they loved her. To be consumed by self-doubts and paranoia and terror of abandonment. Catra is the character we are most like in all of fiction. For better and for worse. Much like her, we're trying to be better.

3: M'gann M'orzz/Miss Martian - Young Justice - Surprisingly I have two Greg Weisman shows on this bingo and no fandom tags for his work, I am using my generic DC tag here. I should change that at some point. M'gann gets so much character development over the 4 seasons of Young Justice. From a starting point of her blue and orange morality of being a Martian not understanding Earth customs causing her to break consent boundaries with her abilities and hurt people (including a fairly uncomfortable angle where she grooms Connor to be her fantasy boyfriend without him knowing what she's doing) to her learning in season 2 that a black and white morality is hardly any better (she mind crushes enemies, thinking that it's good to pacify evil until she does this to someone who turned out to be innocent) to her being a transgender allegory in season 4 (where she meshes the two cultures that she's part of and tries to gain cultural acceptance). There are elements of her story which are under baked, we know that she received a heavy amount of discrimination growing up due to her being a white martian and the arc of her embracing her heritage happens off screen between seasons 2 and 3. Her romance with Connor was well handled, though, particularly as she was not virtuous. In season 2 she was in the wrong (having tried to mind control Connor against his consent) and reacted very poorly to his rejection of her and used a rebound relationship to make him jealous (fortunately Lagoon Boy ended up in a healthy poly family and is doing great. Did I mention Young Justice has good relationship dynamics? Because it does). As with Catra I adore characters who have made mistakes and take a slow road to making up for those mistakes because it begins dialogues about their ethics and every season of Young Justice is about trust, communication, deceit and manipulation and Megan is easily the most complex character when it comes to those themes, particularly as her abilities allow her to blur those lines even in her personal relationships. She's an ethical trainwreck and I love her.

Every character in Young Justice brings something to the table and I think I should note how that deep vein of character driven story telling brings out the best in others. I had mentioned Megan groomed Connor. She was obsessed with an Earth sitcom when she was on Mars and decided to become the main character of it and then when presented with the newly born Superboy decided to start treating him as that Sitcom's love interest who was named Connor. It was a massive violation and Connor was hurt and confused when he learned and it was also in an episode where Megan lied about her racial heritage and Connor, who had been inside her mind, KNEW she was lying and told her outright that she shouldn't fear his judgment. The thing about Connor is that his arc is about finding personal identity when he is defined by everyone else's expectations and impressions. Cadmus and Lex literally programmed him, Superman put him in a box and kept distance from him, the Genomorphs have expectation of him, the team have expectation of him, even his girlfriend is trying to shape him and for much of the show he struggles with it but doesn't reject it. He finds comfort in being accepted in these windows of projection and expectation and I find that him learning who he really is and what he stands for to be one of the more compelling narrative threads throughout the 4 seasons. He and Megan are the main couple in a show about trust and communication after all and I think it should go that the character who typically displays the most raw honesty and vulnerability should be paired off with the most ethically complicated character because they bring the most out of one another while still wanting their relationship to succeed. I know much of the audience dislikes the pair and thinks Connor forgiving and eventually marrying Megan is a bridge too far but I really think they work for one another and even when they don't, from a storytelling perspective it's compelling as shit.

4: Briar Moss - The Circle of Magic - When I started this meme Daja (username relevant, yes) asked if I was going to pick Tris or Briar. They are both "Camden characters" with one being a child who has been kicked out of her biological family and the other being someone who grew up in extreme poverty adapting to moving up the caste system. I went with Briar purely because of the 4 siblings he is the one with the most interesting dynamics with his mentor and student. Evvy sticks around in the main cast while the other apprentices do not hang around and Dedicate Rosethorn is my favorite adult in the franchise easily. Briar is a streetwise kid who has to learn how to trust and rely on people and sadly in the third quartet (pending Tris' Lightsbridge book being written) he gets a painfully accurate depiction of PTSD. I wrote about my reaction to the ending of Will of the Empress a while ago and I stand by my comments. Briar building a safe place as the home he built with his siblings and staying there when he was tortured burned my heart. As did the sequence of him deciding that if Rosethorn was going to let herself die then he was going to follow her. As I'll allude later, I have experience there... and it certainly aided my fondness for Briar.

Much of the fun of the Circle of Magic series is seeing how the siblings adapt to their abundance of magical potential and I love the fact that for 3 of the 4 this is depicted via external means. For Daja Kitsubo and Sandry it is via their art, Daja bends and shapes metal, pouring her power into items where Sandry weaves it into fabric. Briar cultivates his via life. He grows plants and those plants are imbued with his magic. If I had picked Tris this would be where I note that her magic is entirely stored within her, bottled up (literally when she starts glasswork) and too much to contain. Magic is emotion, it is passion, it is a connection to life and the world and with Briar his is not giving shape to his creations, it is cultivating the growth of things that cannot be tamed, he communes with the wild of the world and aids it and heals it. Daja and Sandry give their power shape and form as art. Tris tames the raging storm inside and eventually scries the winds to connect with the world without letting it break her, Briar's power is in love and nurture (which I adores as he is the only member of the 4 with masculine pronouns- as with all Tammy's work, gender is not a box) and it's fitting that his connection to both mentor and student be the strongest due to this.

Also his tattoos are cool.

For a personal anecdote that happened while we were reading Briar's Book. Towards the end there's a sequence where Rosethorn and Briar had an argument in the afterlife and Rosethorn only chose to live again because Briar would have let himself die otherwise. That parent-child suicide gambit--- that's what I was alluding to before. I don't want to type more than is necessary about it. We have experience. It caused a switch and our girlfriend, Daja, is observant enough that she noted the shift in how we typed. Particularly in how we used the word "ain't" which apparently is something specific only to our male part, Craig. Daja was so lovely, kind and caring in accepting him, seeing him and not pressuring him when he was out that it helped us heal a part of our heart that we had pushed away. I'll always remember that whenever I read that book or think of Briar. It's a huge part of why we're fond of the character.

Incidentally if I picked from Tortall I'd have been paralyzed for choice with Numair, Daine, Kyprioth, Farmer, Kel and Alanna herself. Tamora Pierce writes amazing characters.

5: Jesse Faden - Control - Is Control an isekai? It starts with our main character talking about crawling through the hole behind a poster as if it were the Alice in Wonderland rabbit hole.

Anyway, there's a fantastic character analysis I read once that spoke about the relationship between the director of the FBC and the service weapon with Northmoor trying to impose his will upon the Oldest House and the items within it and Trench being a turn-key manager who simply filled the power vacuum and spent his career trying to find a suitable replacement. These represent the two extremes of Jesse's potential leadership of the Federal Bureau of Control. She could either go all in and try to claim ownership of the Bureau and impose her will upon the forces that are too strong to control or she could reluctantly attempt to maintain the Bureau without considering herself actually in charge of it. What she actually does is she finds a path of humility. She is the janitor's assistant. Neither king nor steward of the bureau but the custodian of it. She does not seek control nor does she seek to pass on the responsibility. She merely manages the messes and does so as an assistant. Ahti is the most powerful entity in the game by far and by trusting in him and following his direction, Jesse becomes the perfect head of the bureau.

I was predisposed to love her because she has red hair, she was a lot like the tabletop character I took my name from, she's got a queer dynamic with the head of research and technically she's plural. She's wonderful.

Oh and she's an oddball. I love the little hints of just how weird Jesse is beneath her protagonist swagger. I should probably write more about her, particularly as much of her depth as a character is not obvious from a surface read of the material. Maybe I will some day, but I love her.

6: Chidi Anagonye - The Good Place - The Good Place is a sitcom adaptation of Jean-Paul Satre's play No Exit and involves 4 people sent to hell and are utilized to be one another's unwitting tormentors. The thing is that part of the message of the virtue ethics driven show is that in the modern world every action we do or do not do causes additional suffering in the world and the 4 "cockroaches" are not bad souls, they just made choices that made them bad people. For Chidi he is a good and loving person who is kind and heavily believes in virtue ethics. He belongs in hell because he's anxious and indecisive and makes people's lives harder by worrying so much about how to be a good person. I love Chidi because his growth is less about becoming a better person and more about being confident enough in his convictions to know he's a good person. In every reality he will inevitably help the other cockroaches and teach them to be better people because that's who he is. But he's also selfless to a literal fault. It's one of his damnable traits. After everyone makes it to heaven people can enjoy paradise until they're ready to move on and he decides to continue past the point of which he makes peace with moving on because he doesn't want to hurt Eleanor.

The final episode of Good Place made me gross sob so much and a big part of it is the sofa scene where Chidi explains his personal philosophy after countless lifetimes of discussing, teaching and learning philosophy he gives Eleanor one final lesson on their final night and then, on request, disappears while she's asleep. Heaven knows I understand making that request of someone you love.

He's the heart of the entire experience. Truthfully I love all 4 of the cockroaches and it comes down to how I reacted to their final episodes. Chidi's final moments were the most powerful of the show for me. I love him so much and admire him.

Plus he's a philosophy nerd and as a fellow philosophy nerd <3 I love love love him!

7: Allison "Ally" Carter - Sunstone - Every character in Sunstone deserves to be on this list but I went with Ally because (much like with Chidi) when I have difficulty picking between a stacked cast of great characters I go for the love interest of the protagonist because people really shine when the perspective character is in love with them.

Ally is a god damned dork and she's also an incredible domme. Sunstone is a romance about entering the world of kink circles and navigating the troubled waters that come with consensual risks, emotionally charged play and non-standard relationship dynamics. I love the way the story is presented so much that it is my strongest inspiration for Madison/Belladonna stories.

The thing I love most about Ally is that she's not just the amazing dominant that she plays during the spicy scenes. We get to see her freaking out with nervousness, scared about having to host and live up to expectation, we see her be an absolute nerd, we see her in her element while performing.

I've been Ally and the people I love most have been Ally. Being a Top is hard as heck and you can't help but love the dork as she lives up to expectation while trying to be an adult. Seeing her and Alan literally learning the ropes in the recent GNs has been a gosh darn treat!

8: Elliot Alderson/Mr.Robot (Alderson System) - Mr. Robot - What can I say about my dear Elliot that I haven't already said in my DID Representation in Mr. Robot essay? I love him. The whole system. Though I have an affinity for protectors and so Mr. Robot himself is my favorite. He is such a protector that he will attack his host (well, the show fucks up that aspect of DID enough that it's complicated to call the Elliot we see in the show a host) in order to save him from the evils of late-stage capitalism. When pre-show Elliot wants a way out of loneliness and the evils of modern society he fantasizes about taking it all down. The Elliot in the show just wants to make the evils of the world pay, Mr. Robot is perfectly okay killing entire buildings of collateral to achieve his goals. Not because he's evil but because he's laser focused on his mission. I respect the shit out of that, especially as later seasons show that he's not even remotely as capable as he thinks he is.

The scene during the "sitcom" episode where he takes a beating so Elliot doesn't have to was the moment he won me over and then in season 4 he has the speech where he begs Elliot to understand that he is not their father and that he will disappear if it will help him out of the dark hole he's in. Just the fact that, post memory retrieval, he starts by saying "hey, kiddo..." despite that being the reminder of who he is modeled after. Mr. Robot cannot help but be a manifestation of Edward Alderson, it's who he is, it's why he is. Elliot needed a version of his father who was not a monster. I love him deeply. I love the whole system. Even Magda for all her 7 minutes of screen time.

Plus, Elliot summed up the thesis of the show in the final episodes in saying that changing the world is about living and being visible and in not backing down, no matter what.

And then there's the monologue. Fuck I love this show and these dumb hacker boy.

9: "Badeline"/A Part Of You - Celeste - Well, we're on the topic of plurality so let's stay there. Badeline's a fairly subjective character. Celeste's narrative isn't very long and she doesn't even have an official name. Even the DLC chapter refers to her as "A Part of You". But whether she is a living symbol of Madeline's depression, the doubts and fears she holds towards climbing the mountain/transition or is a protective alter in a plural system, I love her. I always have. The fear she puts into thinking Madeline wants to just get rid of her, the fact that she pushes Madeline to move past grieving Granny faster than Maddy is ready for.

Watching the pair learn to loan one another strength and conquer the mountain was lovely and then seeing Baddy try to stop Maddy from hurting herself in the DLC chapter only to be pushed away was heartbreaking. I just want these two to play nice.

I love that the entire objective of Celeste 64 was for Maddy to reach Baddy and say she's going to go on another adventure and soothe Baddy's fears. Climbing mountains is tough (happy trans day of visibility everyone!) and these two are going to continue doing it, so long as it's together <3

10: Laura Palmer - Twin Peaks (Fire Walk With Me) - So first off, read this essay for better words than we have. We could have picked Dale but Twin Peaks is a show about Laura Palmer and the community that failed her. Laura was a victim of abuse from her father and was commodified by the town who all chose to only see parts of her that they could use for sex, charity, kindness, validation etc etc. There's a meme that goes around:

and I think that at face value it's silly, but it's important to know that everyone in Twin Peaks was complicit in her murder because they used her up for all she was worth and the story works best when you consider that she had no one protecting her, no one saving her. This is why, in Fire Walk With Me, she talks about the angels not coming for her and Donna tries so hard to convince her that they can and will, because Donna, of all the people in Twin Peaks including Dale Cooper, does not want anything from Laura but her trust and friendship.

If you watch Twin Peaks and view Laura as "the victim" then you're doing yourself a disservice. She's a nuanced character and a horrifying Lynchian portrait of those who are caught in webs of abuse. But she has agency. She just has no meaningful way of escaping, particularly when by the end of her life she views the whole world as a prison full of users and abusers and when she finds someone who tries to offer her kindness, she rejects them at first and when they refuse to leave or back off, she tries to drag her down with her. It's only when she realizes that she's so far gone that she'll bring Donna into her personal hell that she decides to become the angel for her and save her. The Pink Room sequence in the movie may well be my favorite part of all the Twin Peaks saga. Laura Palmer is such a compelling character. I love her.

11: Lady Bird/Christine McPherson - Lady Bird - Lady Bird is a phenomenal movie and one of my all-time favorites. I'll split this one up into character and then personal attachment.

For the film, Catherine/Lady Bird is a young woman raised in Sacramento in 2002. She goes to a catholic school because her parents are afraid of sending her to the local public school. Well, I say her parents but the movie is entirely about Lady Bird and her mother. In that regard it is a tough movie to watch because the pair clash so much. Lady Bird and her mom are both willful women and care a lot about what other people think about them. They see one another in the other and hate what they see while still loving one another.

The conflict between Marion and Lady Bird typically displays itself in Marion's refusal to refer to Lady Bird by the name she has chosen for herself. In the Opening Scene she says that "it's stupid and it's not your name" and continually talks down to her daughter, saying that she cannot get into a New York college because she couldn't pass her driver's test (which Lady Bird argues was because Marion refused to let her practice). These clashes continue throughout the movie and any time Lady Bird figures out a way to reframe a critique against her mom she just pivots away. Another example is the "Name a number" scene where after being told that she has no idea how much money it takes to raise her and Lady Bird responds by demanding a number so that she can pay her back; Marion just says "you'll never get a job that earns that much money".

All of this squabbling makes the most sense with the scene in Goodwill where Lady Bird confesses "I just wish that you liked me" to which Marion, dodging again, says "Of course I love you" and Lady Bird calls her on it with "But do you like me?"

Marion pauses and says "I just want you to be the best version of yourself you can be" and Lady Bird, hurt and knowing she won't make a connection says "What if this is the best version of me there is" and Marion gives an incredulous look before letting it sink in. The fact is she is trying to be the best mother she can be and is confronted with the vulnerability that maybe neither she nor her daughter is failing to be their best, maybe this is the best and she has to make peace with that.

That's why I love the movie so much. Two women who want the best for themselves and thus each other but are completely unable to understand one another or connect and speak different emotional languages. It's such a powerful and honest narrative about growing up and becoming your own person. I find the conclusion a little too forgiving on the mother's side, but I love Lady Bird. I love how willful she is, I love how cultured she wants to be. I love how she just wants to be part of the world she feels connected to while knowing she is on the outside of it. Legitimately one of my favorite film characters of all time.

For personal attachment. Camden Dawn is the name of one of my OCs, I first wrote her in 2001 but the version I consider "Camden Dawn" started off in tabletop games that began in 2010. Camden was a raised catholic by two parents who were obsessed with optics and how Camden's behavior reflected on her and their household and she successfully emancipated herself from them after managing to get them to fund her to go to college in Chicago. Over the 7 years I wrote that version of Camden she was always special to me. More than I think I could display to my tabletop group at the time. I considered her my "trainwrecksona" the fantasy version of what we would be like if we were allowed to express our anger, frustration and pain. Camden smoked, she had an alcohol problem, she made bad relationship decisions and was a mess. Watching Lady Bird was like seeing a film version of everything that I was trying to do be done by a masterful actor, director and screenwriter. There is no amount of language I can put into how powerful it is to pour so much of yourself into a fictional character you created, enough of yourself that you adopted her name as your own and to see someone take all the passion and soul that you tried to convey through fiction and do it better. It was awe, admiration and connection.

I'm not Camden (the character) and I'm certainly not Christine. But I understand what emotions go into writing a character like that. How can I not love her when she's the culmination of everything I love about my favorite original character?

12: Bill - It's Such A Beautiful Day - Three heavy movie characters in a row. Bill suffers from an unspecified psychological disorder that messes with his perception of reality and his memories. The movie is an outside view of his life and the narrator becomes so attached to him by the end that it cannot bear to let him go. "He lives and lives until all the lights go out." is such a powerful line to end the production with because that's it. That's all any of us get. The world may continue on without us but our capacity to perceive this beautiful trainwreck is only within us and there's no grander design than that. We live and then the lights go out. Even our memories may die before our ability to perceive. The movie talks about how we start looking forward, start looking back and in the end... all we can do is look around.

Which makes the bus ride so unspeakably poignant, long before the titular Beautiful Day. As the narrator says early on in the experience, life isn't the big memorable experiences, it's all of the tiny little things that happen in between. That bus ride, Bill looking at the raindrops and admiring the world. That's far more true than any moment in the film and what Hertzfeld wants the audience to pick up through the experience.

I became attached to him during the runtime. The mundane thoughts of a person who begins the story with the news that he's going to die and ends up finding the sentiment that gives the movie its title.

Hertzfeld does such an amazing job with Bill. The subtle gestures like how he wrings his hands together or the wrinkles under his eyes betraying his fear and worries. He's a stick figure in a world of stick figures and all he has to differentiate himself is his hat. We cannot even hear him speak because the movie is conveyed only by the narration and yet the animation gives him so much personality.

There are so many scenes which just connect so well, like when he meets his father despite both men being so incapable of understanding the relevance of what is happening.

Bill lives until he doesn't anymore and we share the journey of life with him. It's breathtakingly beautiful.

13: Susan Sto Helit - Discworld - Susan is really three characters. Soul Music Susan, Hogfather Susan (goth Mary Poppins) and Thief of Time Susan (goth Ms. Frizzle).

I love her. I love her more than I have words for. Especially Thief of Time Susan.

She's almost human. Part of her will always be a deity. She is the granddaughter of DEATH and much of her character in Hogfather and Thief of Time is attached to her wanting to embrace her human side. But it's in Thief of Time where she learns that what she's looking for is not to be accepted within humanity, but she wants to find someone who is like her. That's why I adore her connection to Lobsang. She puts up a ward of sensible Susan and tries to be practical and put together but she's a deeply emotional woman and she's lonely because no one else shares her experiences.

She loves her grandfather very much but she cannot abide by "the family business", she is kind to him but wants to be her own person and she ends up finding herself more attached to children because they haven't lost their curiosity yet, in many ways she finds they are more sensible than adults because they haven't decided how things are and closed their hearts and minds to ideas outside of what they think and expect.

Susan is important to me. I love her dearly.

14: Ben Reilly - Spider-Man - We're unapologetic in our love of the clone saga. The thing about Ben (and Kaine) is that he's a fantastic character study into the nature and nurture of Peter Parker and the writers had so many fun and cool ideas for how to handle a version of Peter who had 5 years to not be Spider-Man.

One of my alltime favorite moments in comics is when Aunt May died and Peter is embraced by MJ and Anna, he's surrounded by family. Ben is on the roof, alone. Ben's has no one because he's a clone and completely broken off from others. He slowly builds his own family over time and considers Peter (and Kaine) his brother(s) but it takes time.

The lost years are where he exemplified himself in my eyes. We get to see how he grows from finding out he's not Peter Parker until he returns to New York. How he tries to walk away from responsibility, how he tries to live a normal life. He's a tragic character because no matter how much he wants to be a different man, he still has Peter's memories and cannot help but have the drive that makes him Spider-Man.

15: "Sunshine" Joe Fixit (Banner System) - Hulk - So I did two whole essays on Banner's system with the second part entirely about Joe and Betty's relationship. Fact is Joe is what happens when a man is so repressed and ashamed of himself that he cannot act out. Joe is all of the things that Bruce wants, lusts for, desires but cannot allow himself to act out upon. He's capable of lying, cheating, stealing and killing in a way Bruce can never allow himself to believe he is capable of. The period of time that Peter David was writing Joe as the main front of the system gave us some incredible insights into the widening chasm between his morality and Bruce's as well as what Joe finds himself wanting. There was a period of time where changing into Banner was the greatest fear of Hulk(Fixit) and it worked remarkably well to see the two having their day and night battle for dominance.

But what really made me love him more was the Immortal series where he's in Banner's body and needs to keep the body safe the way that only he can. The latter half of the comic Bruce is not even in the system and it's just Joe and Savage against the world. Joe's a reluctant protector. He used to be a hedonist but over time his affection for the system

Look at this page (first panel especially) from a 4 page side-story where Joe is talking to their therapist and briefly remembers Brian Banner beating the shit out of him and how he would take the beating so Bruce didn't have to.

Joe's attachment to Mike was evident in Peter David's run and solidifying that Joe just wants a father figure is such amazing characterization. With both Mr. Robot and Hulk I love how these adults are driven by childhood notions of safety and comfort. I even hint on it a bit with Catra too with how she sold herself out to get a chance of Shadow Weaver's affection. Good trauma representation is showing how a character carries their past into their present and Joe is a manifestation of Bruce's repressed anger and childhood trauma just as much Hulk himself is. Joe just wants what we all want, to be loved and protected in a world where the person who owed him both those things failed to do either. In lieu of being loved himself, he's damned well going to love his inner family, especially the kid.

16: Kimberly Wexler - Better Call Saul - Kim is a phenomenal character in a character driven drama. Again, when surrounded by amazing characters I go for the protagonist's love interest. But here it's different. In the final season Kim is approached by Mike. Mike is the most level headed guy in the canon. He's the one who is objectively right about everyone and has a good eye to who people are. Enough that Season 4 of the show only makes sense if you consider they needed a season long plot arc for why he didn't execute Walter where he stood in during BrBa.

Mike approached Kim because he judged that she was the one who could be trusted with the information that he had about Lalo Salamanca, another incredible character in a show full of them. Kim is headstrong, crafty and hates being talked down to. She is attracted to Jimmy because they are equals and she typically acts up when Jimmy doesn't display the trust and respect that he owes her.

Throughout the show we get glimpses of her childhood and there are some gems with her mom. She refuses to be picked up from school when her mom shows up late and drunk and ends up walking home miles on her own. There's a scene where she steals from a store and her mom picks her up and acts up the punishment she would get only to laugh about the store manager after leaving the scene. Kim had a tough childhood and bad rolemodels and yet still clawed her way up to being a lawyer.

We get to see her realize that the system is inherently broken to its core and no amount of pro-bono work within the system will make a difference, she is reduced to constantly being hit with "did Jimmy put you up to this" levels of disrespect for her agency. Kim is fascinating because she was always the capable one and Mike and Jimmy are about the only people in the show who can see it and even Jimmy can't when his ego gets in the way.

Aren't you tired of being nice? Don't you want to go apeshit?

Kim is best girl and Rhea Seehorn should be given every Emmy forever.

17: Johnny Truant/Pelafina H. Lièvre/The Book Itself - House of Leaves - This one is a total cheat. The fact is I wanted to type "anyone who types in Courier or Dante fonts" but the book is a mind worm and the mere act of trying to communicate about it is a bottomless pit that will make you look like you're in front of a Pepe Silvia wall. The fact is nothing inside of the book House of Leaves can be said to have happened in any meaningful sense. It's a journal of a man reading an analysis of a film of events that likely didn't happen and the person at the top of that narrative pyramid (well, under The Editors, I suppose) is an admitted liar. Which means that I cannot say The Whalestone Letters are true or not. I can say that they are my favorite part of the book and judging from my interaction with the only fandom, this makes me a little unhinged. Johnny's panic attack at seeing purple ink, the back and forth on whether Pelafina attempted to strangle Johnny as a child or not, why her secret decoded message mentions Zampano, how her letters can refer to events after she died... as I said, it's a bottomless pit and the more you think about it the more insane you become. Fact is, Johnny is an interesting character and there's a lot to him and part of that IS the fact you cannot tell if he's lying and that means that if he forged his mother's letters they are his words and if he didn't she's equally compelling in her complexities. We have an unknowable psyche of someone who is both inviting us in to see the innards of his soul AND pushing us away so we can not know him, see him or judge him. It's brutally honest AND guarded. Deceptive while bearing everything. I tend to feel strongly for characters if they go through something I've been through because I get to see someone else deal with the thought processes I went through, I don't need to see myself reflected in that, just empathize with the fact they're dealing with it. A parent being put away in a mental care facility is fucking tough shit and as I saw Johnny's trauma unfold through his journals I cared more about him and wanted to understand him more.

Which brings us to the end of his portion of the narrative and his big "fuck you" to the reader. I'll admit it. Upon first reading I was hurt by Johnny's betrayal of the reader and then I realized, much in the same way HBomb's described during his analysis of Pathologic, that I knew the entire time I was reading a book and Johnny wasn't real, that by feeling betrayed and hurt by his lies it just showed I cared and that he had made me care. No character has ever violated the attachment I form with fictional characters in such a way that really made me understand how one-sided and false that connection was and it was a unique experience. Certainly one that makes me love the character, for all I know they are an unknowable wreck and I cannot ever truly understand them. House of Leaves is a mirror and it reflects everything you put into it and that's why I love it so much. The experience of reading that book is mine and mine alone. My relationship with the book and its characters is unique. It cannot be replicated. It can barely be described.

18: Puck/Owen Burnett - Gargoyles - Seems I posted without writing about Puck! Better edit it in. I LIKE FAE AND BUSINESS MAN OWEN AND I'LL EDIT THIS IN LATER I PROMISE!

5/4 edit: okay, I promised. So here's the thing about Greg Wiesman's writing. He sometimes is fixated on his internal consistency to the detriment of story. I love Gargoyles, I love Spectacular Spidey and I love Young Justice. But they are flawed works and their flaws are Greg shaped.

I love them, though, because in the 90s, only a few years after Twin Peaks brought long-form storytelling out of Soap Opera and into drama, Gargoyles had consequences and growth which at the time were not really things. Gargoyles was essentially Disney's version of the 80s TMNT cartoon and by all rights it should have been a pale imitation. With Turtles the archetypes were baked into the DNA and the growth typically came from new toys being added to the line. So my "too young to remember watching but young enough to imprint and rewatch a ton of times as an adult" mind was spellbound when Eliza is shot and takes months in universe to recover. Xanatos is imprisoned from corporate crimes and serves a 6 month sentence in show that opens the door to new plots. Brooklyn's or Lex's reaction to Demona's or Fox's betrayal inform how they treat people and situations throughout the show. Broadway's hatred of guns. Hudson's illiteracy slowly being worked on.

The show rewarded you for paying attention in a time when such things didn't exist.

So why is Owen my favorite?

Well, as stated above. We love Fae. Dawn considers herself to be Seelie and though the show is actually really bad with sourcing its folklore and mythology, famously placing the Norse pantheon under Shakespeare's interpretation of Fae lore (the lengths of "all worldwide culture is sourced to The Bard's depiction of Celtic/Gaelic folklore" is actually kind of Ancient Aliens levels of xenophobic to my adult mind), their depiction of Faerie was deeply enjoyable.

Owen is Puck. The same guy who rides on Kratos' belt in the latest God of War games. He's a trickster and a magician and the supreme master of Keyfabe. There are big damned twists that are introduced in shows that you wonder "when did they know?" And for this one I really do think it was from the start which is ambitious as heck. If not from Season 1's 13 episodes then from day one of Season 2's 50+. When Preston Vogel is introduced the similarities between Owen and Preston are apparent instantly. When Demona turns NYC into stone she binds Owen in iron and calls him "the tricky one."

It's a fair mystery in what may be the first ever kids cartoon to do long-form storytelling. It may not be easy to work out the specifics but it fits so perfectly. With most of these other characters my love comes from who they are, what they are allegories of or how I relate to them. I could have picked Demona and just had her be Proto-Catra. But Owen was the first time I was shown a character who had all the puzzle pieces for a big twist that made sense and was fair to an audience. It taught me how to tell stories and how to reward those I tell stories to. I owe him a lot for that. Plus I want to make out with him. Human or Fae form. He's hot.

Also, also, love the addition of his stone fist. The loyalty to plunge his hand into the cauldron and the continuity to just keep him with an unbreakable/unmoveable stone fist was just awesome.

19: JJ MacField - The Missing ((JJ Macfield and the Island of Missing Memories) - Beating this game made me come out the closet. I'd known I was trans for almost 20 years before playing it but when I beat it I told the support network in my life at the time that I couldn't stay in the closet any longer and began formally socially transitioning.

The Missing is about two girls going to an island. JJ and Emily. Emily tried to initiate intimacy and JJ pulled back and soured the mood, when she wakes up the next morning Emily is gone and JJ has to puzzle solve through themed areas of the island to find her. As you progress text messages fill you in on JJ's life.

So. Being honest? I thought it was a game about being a lesbian. I thought that it was about JJ coming to terms with her sexuality, even when her mother is controlling monster (literally in terms of the game) and sent her to conversion therapy. Nope. Turns out JJ is trans and I didn't see it. I didn't know.

I played the game on release day and just... didn't figure that out.

JJ is a cutie who loves donuts, she loves her stuffed plushie, she loves Emily, she loves flowing fashion. The game sadly is a nightmare from her trying to kill herself and being saved.

The thing is, though, the game's aftercare is so healing. After beating the game you have the opportunity to play the game without JJ's "idealized" dream form. You can play as socially transitioning JJ with her developmental voice, change her wig, let her experiment her look. Here's some gallery items showing the differences between first run and second run versions of JJ.

and I think it's beautiful to show her as being the same person no matter what she appears on the outside. Because she's JJ. Voice, wig, eye color and outfit do not change the fact she's a sleepy donut gremlin.

I could write more. Like how the themes of the game are the amount of pain one must endure to actualize as their true selves and how learning to live with that helps you pull yourself together and become endure more (not to fetishize suffering, but well, learning to endure pain can be virtuous if you cannot avoid it) or how the player becomes the final boss themselves and lashes out against Emily to show how her attempted suicide was a harmful act.

The thing I adore most though is that the final secret in the game, the reward for everything is photographs of JJ and Emily going clothes shopping and buying the outfit that JJ wears during the game.

Fuck that story makes me so happy. Especially from the perspective we were in when we were closeted.

As a sidenote, I own a F.K plushie and love it very much.

20: Korra - The Legend of Korra - Running low on steam but I'll be quick and say "Avatar is the story of a normal little boy finding out that he's the chosen one and having to learn how to save the world. Korra is the story of the chosen one who was raised to save the world learning to become a normal woman."

I find the latter so much more compelling than the first. Especially when season 4 spends so much time on her rehabilitation after Season 3 left her disabled. The depiction of both recovering from a severe injury and the PTSD was well handled.

Anyway. She's rad.

21: Hal "Otacon" Emmerich - Metal Gear Solid - He's the spiritual child of Dr. Strangelove and The Boss. Huey was a sperm donor and nothing more. Hal's an idiot. He's a geek. He's a hopeless romantic who makes dumb mistakes. He's also Snake's husband and Sunny's father and he saved the world. I love him.

But really the single 10 minute recording from Strangelove in MGSV where she outright explains that Hal is the true heir to The Boss' will is what elevates him. In a world of war, he is peace. Yes he's a dumb otaku who built a nuclear battle tank that could destroy the world but he truly and dearly believes in peace and spends his entire life being better and being kind and being compassionate. In time he turns from Snake's failwife to the savior of humanity.

Hal is a good father, a terrible heterosexual and a cute lil' guy.

22: Adonis "Donnie" Creed/Johnson - Creed - Gosh I wish I wrote about him when I had more in the tank but I'm 22 characters in, the end is in sight and I'm tired. The Rocky franchise is a special series of movies. We get to see the same man through 50 years and even in the first film they were talking about him being past his prime. I chose Donnie over Rocky though because Creed is my a contender for my favorite movie of all time. Ryan Coogler said about it

"[My father] used to play [the Rocky movies] before I had football games to pump me up, and he would get really emotional watching the movies. He used to watch Rocky II with his mom while she was sick and dying of cancer. She passed away when he was 18 years old. And so when he got sick he was losing his strength because he had a muscular condition. He was having trouble getting around, having trouble carrying stuff. I started thinking about this idea of my dad’s mortality. For me he was kind of like this mythical figure, my father, similar to what Rocky was for him. Going through it inspired me to make a film that told a story about his hero going through something similar to kind of motivate him and cheer him up. That’s how I came up with the idea for this movie."

"If I fight, you fight"

It's about a father being a hero, it's about being strong enough to live up to legacy, it's about passing down knowledge and inspiration from one generation to the next. Donnie is a conflicted character. On one hand he is the foster care kid who got into fights in juvie. On the other hand he is the son of world famous Apollo Creed and raised in a mansion. He is Adonis Creed and he is Donnie Johnson. Both of these are true and that conflict burns within Donnie because he burns for a father he never got to meet and connection to a world he's not part of anymore. In being rescued from his group home situation by Mary-Anne he left behind all he knew. We learn more about his childhood prior to juvie in Creed III. Point is, he's hurting to make a place for himself and prove he belongs. The armor piercing quote in the first movie is when he says "I gotta prove it - That I wasn't a mistake."

I cried when I first saw that scene and just loved him. Rocky movies are about underdogs putting their heart into what they do and overcoming the odds and winning the moral victory. Donnie isn't a perfect person. He's kind of an arrogant jerk at times, but I adore him.

The second and third movie are heavily about his growing relationship with his wife, Bianca, who is the star of her own movie that should exist too, about becoming a performing music artist while her hearing is fading. His daughter is born deaf and he has to adapt to her hearing loss. Watching Donnie learn ASL and just exist with his family is one of the highlights of the movies because though there's a brief scare in Creed II where Rocky asks if he's going to love his daughter if she's born deaf, the franchise never treats Bianca or Amara's disability as anything more than a part of who they are.

Creed movies are the best. I hope Michael B Jordan makes them as long as Stallone hung with the Rocky franchise.

23: Parker - Leverage - She was a side character who became the star of the show. Parker is brilliant. A foster kid who tangled with a brilliant gentleman thief and learned to be the best there ever was. She's autistic, she's brilliant and she's an oddball. Her relationship with Hardison was the emotional backbone of the show and throughout the entire show her need for a family is one of the threads that ties seasons together. Season 4 includes an episode where she needs to learn to dance from Hardison and he says "I've got you, I've always got you" and prepares an escape route for her at the end of the episode only for the finale to have a callback where she saves him on an elevator wire with the "I've got you". If you watch Leverage through the lens of her rising to become the new mastermind you have a 5 season show (and ongoing revival) about a girl who never fit in everywhere, prickly and defensive and unable to understand other people creating a family for herself, building a better world and being the best version of herself she can be.

Also she really hates it when people are mean to kids and I love that about her.

I love Parker. Häagen-Dazs!

24: Asuka Langley Sohru - Neon Genesis Evangelion - Why did I leave her until last? Asuka prides herself on being the best EVA pilot. She is not the best EVA pilot.

She wants Kaji, a grown man who will never be with her.

She wants her mother to have not succumb to mental illness and projected all her maternal affection onto an inanimate doll who she hung alongside herself, leaving Asuka alone in the world and so thoroughly rejected that when her mom killed herself she took the effigy of her daughter with her on the way out.

Asuka doesn't get what she wants.

Instead she gets Shinji. Someone who, while complaining the entire time about how much he hates and doesn't want to do it, is a better EVA pilot than she is. Who in End of EVA...

Well.

Y'know.

Asuka is a cautionary tale of what happens when you pin all of your personality, your reason for existing, your pride and passion onto a single thing that you do not control. It can be taken away from you and it will leave you with nothing.

Asuka needs to put others down to feel good about herself because the source of her self-esteem is in her ability to perform a task that may not always be there, that others may surpass her in. She needs to learn to create worth from within, not from external praise and validation. Shinji shares that flaw.

EVA is a show with a lot to say about isolation and connection. About drive and purpose. About the reason why we exist and what we do with our the time we're given. Hopefully through looking at the other 23 entries and seeing the themes, you'll see it's pretty clear she's just my type of character.

I love her.

BONUS

Because I didn't do all my tags, here's the remaining tags with my favorite characters:

POTO - Erik Castlevania - Alucard Umineko - Beatrice Sonic - Fleetway Super Sonic Persona - Aigis Sailor Moon - Makoto Kino/Sailor Jupiter Scott Pilgrim - Kim Pines Pathologic - Bachelor Daniil Dankovsky (the fact I do not have to justify this down here is a big reason he's not on the bingo)

[lemongogo]

life of regret

[kilometresrufflefuck]

hear me out the other day i woke up and was immediately hit in the face with "7 year gap narumitsu in europe where phoenix kisses edgeworth in a low moment and then tries to flee and edgeworth uses mind chess on him to get the truth out of him which is a completely normal and ordinary average way to discuss your relationship"

[keferon]

OKAY OH MY GOD THIS FIC IS GREAT I HAVE ONLY READ THREE AND A HALF CHAPTERS AND IM ALREADY IN LOVE

I originally wanted to make both of these pieces in color but I’m gonna be honest I have no fucking idea how to draw Ricochet…he is described as black and red and…mmhhmmm does he have canonical (canonical for this fic I mean) design? Do I need to design him myself? Idk I’ll figure this out later

[annabelle--cane]

I really, really must stress that I am a university student at a big school and every single person in every class I have ever had brings in laptops that they do work with on a daily basis. I know a couple of 17 year old freshmen who skipped grades at some point and they all know how to download files, use email, and sort folders on their hard drives. I'm sure young people being completely computer illiterate and only knowing how to use smartphones is a problem in some circumstances but I really cannot overstate enough that "most teenagers don't even know how to use computer mice" does not line up at all with anything I have ever experienced as a Youth who is in consistent close contact with yet Younger Youths.

[mossycobblestonewrites]

DC X DP PROMPT #25

Amity Park is seen as a tourist trap, like the whole town. No one in Amity is aware of this. All tourists think the townees are just really into the act.

One (or multiple) super families have decided to go on a Classic American Road Trip™. Which means they simply must visit all the tourist traps they see!

While in Amity, on a guided bus tour, there is a ghost attack. While the other passengers are thrilled with the commitment to the bit, the superfamily starts to become suspicious.

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[orpheuslament]

isnt it amazing we live in a world where theres poetry. why is nobody else going insane about it

[rainedropsart]

Some Wondie doodles to go with the Arrowette I drew yesterday, I need to draw her stupid wig outfit more

[worfsbarmitzvah]

there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”

[turtleblogatlast]

I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.

And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.

It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:

“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”

And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.

[kandyzee]

Fiona was a top athlete, breaking records in track but had to drop out of high school.

Lip was a genius, always told he was gonna be the one to make it but dropped out of college.

Ian was in ROTC for years and trying to get into West Point but had any chance of enlisting ruined.

The 3 eldest gallagher siblings are gifted kids/ dedicated to a goal, but never live up to it, and it kills me every time.

[kevinsdsy]

the trojans social media au (pt. 15): the nabil tweet is inspired by a tweet from f1 twt hehe also the “c’est banger” tweet is from an anon who sent me the og tweet saying it reminded them of shawn & jean hehe so shout out to you ily 💛

[tiffanyachings]

it would have been very beautiful. camilla would have had to cook (horrible bone soup)

[softichill]

JtKCU (Jeff the Killer Cinematic Universe)

[last-flight-of-fancy]

Started thinking about Riku-Kairi parallels and symbolism wrt the ending of kh2 so please hold while i get needlessly verbose about it-

specifically it started with this gif

and ofc adhd is as adhd does and started going down the rabbit hole of connecting the dots.

The act of reaching out a hand/hand holding is a recurring thing in kh, the vast majority of which is chock full of meaning and symbolism, and this is no exception. This is the culmination of The Hero's Journey part of Sora's tale, the return home, and the heartfelt reunion between long-seperated friends. fun fact the heroine's journey follows the hero's journey for the first third or so before continuing on. kinda like how kh continued on long after things seemed to be 'resolved'. weekly plug to look up Howler's Heroine's Journey essays if you haven't yet

The angle from which I am viewing this scene right now is in regards to ofc Riku, and his own iconic pose that we see the first time in the intro to kh1 (and many, many times since)

And this is where my riku-kairi-are-inverted-parallels-to-each-other brain starts barking like a dog because oughghghghggh same pose opposite side completely different body language- AHG.

And this matches their character arcs (as well as their respective combined arcs with sora) to a T as well. Riku's pose is the first we see, way back in kh1, and his hand is as much a taunt as it is an offer. Very befitting his relationship to sora in that game, which was coloured by a forged rivalry and intense jealousy (to quote the ultimania; Complicated Feelings) of/for sora.

(it is also notable that to date this gesture has yet to be resolved. the closest they've gotten is when sora grasped Riku's hand in kh2 on finding him- albeit in Ansem's visage.

Symbolically this is Sora attempting to accept the gesture, but this time it is Riku who fails to meet him halfway, too deep in guilt and regret to feel worthy of it. his hand is turned downwards, limp and unresisting.

And again in DDD when Riku grabs sora's hand/wrist in an attempt to wake him from his nightmares, but this time sora isn't capable of reciprocating. like two ships passing in the night, always reaching but never quite meeting)

(this one isn't quite as strong in the visual symbolism specific to the Riku Pose, but i did think it bore mentioning)

to return to the first gif however, for Kairi her posture is much less stiff, leaning forward with palpable releif at Sora's return. Honestly the fact that she holds out her left hand (which as far as i know is not her dominant hand) marks this as a very deliberate choice to parallel her as opposite to riku. and much like the rest of kh2's ending, it FEELS like a culmination, a completion of their arcs.... and most certainly isnt.

Which i mean to say, it's a mid-point. And the reason I say this is because of one little thing.

The seashell charm.

There's a sort of irony here in that the charm that was meant to reunite them in this moment is also symbolically like a wedge between them. A heartfelt and meaningful gesture, don't get me wrong! i love this scene and the genuine emotions within, but i do love chewing on the way this gains a slightly different meaning in the greater context of later story beats; specifically that of kh3.

With how pointed and direct the parallel is between kairi and riku in these scenes, it did make me pause for a moment thinking about kh3. i know we've all seen a thousand and one analysis' of the paopu scene at this point, but forgive me as i must do so again under this specific lens.

'how does the paopu scene relate to the hand extended gesture at all?' i hear you ask, and on the visual surface not much. it has more to do with sora and kairi's relationship arc through the games and, of course, the lingering loose thread that was the cave drawing.

The paopu scene is a touching recreation of that cave drawing, one enacted by a pair of kids who didn't know if they would live to see another sunset. It's also probably the most symbollically dense thing in all of kh and that is saying something so I'm going to try and keep my observations limited to just what is relevant to this post- and that would be the way that the paopu scene is a direct continuation of Kairi's 'you're home' gesture in kh2.

shooting stars are also a common recurring symbol in kh, and that's the symbol that ties these two scene's together. if kh1 is two disparate stars each trying to reach the other (the cave drawing, the seashell charm, the way their hands are seperated at the end of kh1), and the end of kh2 is that of the stars finally meeting (the single seashell star charm pressed between their palms), then the paopu scene is that of the stars passing each other by and beginning their own journey's anew (two stars held by crossed arms, each now holding a small piece of the other (bitten fruit) to show that their meeting may have been brief but it was meaningful)

it is in this way that kh3 quietly and tenderly closes out sora and kairi's combined arc, as two unlikely friends who then drift apart again, shining brightly for the shared experiance, Remind mostly serves to support that finality, tying up the last couple loose ends between them, and leaving the two far more comfortable with each other than they ever were while that arc was still ongoing (which i read as them no longer being uncertain as to what their relationship is; that of friends, and not whatever so many others around them had pushed and assumed)

(seriously look at how much more comfortable they are with each other the second the pressure to be something they're not is off. the awkwardness is completely gone i love it)

All of this is ofc still in parallel to Riku, who boasts no such star imagery (instead he has the iconic Heart of KH itself), and in fact while he symbollically continues to reach out to sora, physically he has completely refrained from doing so at all- in fact most examples of the Gesture in kh are deliberately invoked by other characters in order to bring riku to mind in some way (and often more for the players benifit than sora's)

axel in CoM,

(i have given up on tumblr gif search)

YMX in DDD,

which then immidiately cuts to riku in kh1 just to make it as blatant as possible that yes the reference is intentional (i guess CoM was too subtle somehow so they had to make sure this time)

and even Riku himself to Namine at the end of kh3, representing Repliku's final wishes in a funny sort of symbolism oroboros.)

and it's not a coincidence that the completion of that connection provides definitive closure to the arcs in question; that of namine to repliku, but also a little bit to riku himself. namine still has a role to play, but that role (i think) is more or less exclusive to her relationship with sora. namine and riku's relationship arc, background as it is, is complete, and now both are connected primarily through their incomplete arcs with sora.

(which makes the way that sora and kairi's example in kh2 is a complete outlier really interesting tbh. smth smth thinking your relationship is one thing and if it was that thing then yes that would have been the end, but it wasn't that thing and thus it wasn't the end smth smth comphet metaphor smth)

which brings us back to how riku himself hasn't really reached out to sora directly since kh1, the act that set off both of their journey's. The reasons for that are many- guilt, fear, a certainty that sora will not reach back and that he doesn't deserve it anyway- but despite that the Gesture is still subtly affirmed as being Riku's over and over again, never quite letting the audience forget it... because eventually this bit of symbolism so consistently portrayed throughout the series will reach its own conclusion, starting how it began with one deuteragonist reaching out to the other, and this time the other reaching back to complete the gesture.